本文从范晔的《后汉书》入手,结合其生平及时代背景,对其正统思想特征与体系做初步探讨。
Confucianist's orthodox ideas may not be contaminated unavoidably frequently in theirs dramatic work, inevitably takes into them to the lower level life performance in.儒家的正统观念常常不可避免地浸染着他们的剧作,不可避免地影响他们对下层生活的表现。
In China's realist painting training is embodied a full set of European ideas that dates from another era, and this has been carried forward here as the main orthodox for historical reasons.在中国写实油画传统的训练中,负载了一整套西欧思想的成见,而且是较为陈旧的成见。