二是探索因为爱伦·坡对于“效果美学”论的追求而自然衍生出的“极限性”的创作原则;
It showed the writer's temperament, character and aesthetic style naturally. It also made his tragedies have unique power of expressions and infection.这一内在意蕴贯穿于作品的内容与形式之中,是剧作家气质、性格与审美风格的自然流露,这也使得其作品具有独特的传情力和感染力。
Charactor Review in Shi Shuo Xin Yu reflects another kind of natural aesthetic consciousness naturally in the period of Wei and Jin Dynasty indirectly.《世说新语》的人物品藻间接反映了魏晋时期的另一种自然审美意识。