然而，正面性是与埃及雕像的功能以及雕像所处的环境直接相关的。
Standard interpretations of this portrait posture offer observations of correspondence—demonstrating either that it mirrors actual social behavior or that it borrows from classical statuary.对这个肖像姿势的标准解读提供了相应的观察——表明它要么反映了实际的社会行为，要么它借鉴了古典雕像。
Similarly, the late Uruk period shows the first monumental art, relief, and statuary in the round, made with a degree of mastery that only a professional could have produced.同理，在乌鲁克晚期首次出现了丰碑级别的艺术、浮雕和塑像，其精湛程度只有专业人士才能完成。
